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Tyler Mahan Coe

Tyler Mahan Coe

Pappy Daily

CR021/PH07 – Pappy Daily, Gene Pitney and How George Jones Came to Be on Musicor

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This whole story began with a pinball machine and jukebox mogul in Texas jumping over to the independent record business of the 1950s. When he hitched his wagon to a Singing Marine who became the Greatest Country Singer Ever, it served Pappy Daily well through the following decade. Then, out of nowhere, the ride suddenly ended. “What went wrong?” is the obvious question to ask, here, but it’s not the right one. We need to talk about who went wrong. The answer nearly everyone’s accepted for going on 40 years now is demonstrably untrue but we can only learn the truth through a deep dive on the country music record industry of the 1960s and by taking a look at how the careers of 2 international pop stars built a throne for The King of Broken Hearts.

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All to Pieces - George Jones Phase II

CR020/PH06 – All to Pieces: George Jones, Phase II

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In the early 1960s, George Jones had a huge hit record featuring such a phenomenal vocal performance it instantly turned him into a living legend. He didn’t handle it well.

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George Jones_Starday Recording Artist

CR019/PH05 – Wandering Soul: George Jones, Starday Recording Artist

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There are some personalities who would embrace being called The Greatest Country Singer Ever or, at least, settle into the role once it became clear the brand was eternal. George Jones did not have one of those personalities. The fame and fortune generated by his talent made him want to run away, so he spent decades running… toward something even worse than what he was trying to escape.

Was there ever a chance of this story playing out any differently? Probably not, no. But what in the hell even happened here? Our search for answers takes us back to Texas for one Singing Marine’s perspective on what it was like when lightning started flashing and thunder started clashing as he took the country music world by storm.

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CR018 White Lightning

CR018/PH04 – White Lightning

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In North Carolina, way back in the hills, there’s a centuries-old tradition of cooking illegal liquor. Whether you feel that’s right or wrong, good or bad, may be determined by any number of factors but the objective truth is moonshine whiskey greatly impacted the course of United States culture on several occasions. Ever wonder why so many people will never trust the government or politicians? Press play. Ever wonder if the “moonshine” you can now buy in liquor stores is really moonshine? Press play. “White Lightning” was George Jones’ first #1 country record, sure, but it’s also the cork in a jug of profoundly strong history. 

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CR017/PH03 – The Nashville A Team

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Now that we’ve established Owen Bradley as the single most important producer in the history of Nashville, let’s take it further and acknowledge he’s one of the most important figures in the history of all recorded music, even if for no other reason than assembling the first group of musicians to become known as the Nashville A-Team. Were we to erase their work from existence, every book about pop, rock or country music in the second half of the 20th century would need to be entirely rewritten. Just ask Elvis Presley, Bob Dylan, 3 out of 4 Beatles, The Everly Brothers, Patsy Cline, Ray Price, Loretta Lynn, Dolly Parton, Roy Orbison, Roger Miller, Hank Williams, Marty Robbins, etc. And those are just the people who can speak from first-hand experience. If you want to start talking about the influence of the records, well, strap in.

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